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Fuck You Mel Gibson

January 7th, 2005 | by Lothar

I have no idea which comic is supposed to be going up with this update, but I’m pretty sure its shit. My apologies, I have a new rant which should make up for it. Or offend you, most likely the latter. First however I have a new piece of fan art, Identity Crisis by Gibbo. Thanks man, sorry it took so long to put up (I got it two weeks ago).

So anyway, the rant this week is:

I FUCKING HATE MEL GIBSON.

No really, I hope he fucking dies.

This stems from my sister watching “What Women Want” on telly last night. I remember going to see this at the cinema with my friends when it first came out. It’s the only movie I ever walked out of. IT’S FUCKING CRAP! It’s just a massive ego-stroke for Mel.

Then there’s the whole “Passion of the Christ” thing. I’m no fan of any religion (though on my Birth Certificate I am counted as “Church of England/Christian” thanks mum . -) but I think the central message of “Passion” is a bit fucked up. “Jews are evil”. And Mel Gibson doesn’t help by saying “Jews don’t have a problem with the film, they have a problem with the Gospels”. Yes because we all fucking KNOW that the Bible is “the word of God” and should be taken at face value. Especially the bits that say gays are evil and that black and Asian people are. Excuse me but wasn’t Jesus born in the Middle East? A place that at the time had very few white people and still does? And don’t give me that “Virgin Birth” thing, you know that was actually mistranslated right from “pure birth” right? And even then don’t give me that crap about Jesus being white because he was more “pure” than everybody else was. Just because something was written in a book doesn’t make it true. And yes, the Bible and any other religious books such as the Tora or the Koran are just books. They are not “THE” book. Though I think there may be a good message in there somewhere it’s hidden under all the small-minded prejudiced bullshit that has been added and edited by man over the last few thousand years, plus people using them to justify shit like the Crusades and Genocide in general doesn’t help.

But anyway, my point is that I fucking hate Mel Gibson, but you know why I REALLY hate him?

BRAVEHEART. And you know why I hate him because of Braveheart? THAT MOVIE IS NOT ACCURATE IN THE SLIGHTEST.

Yes there was a bloke called William Wallace who led the Scottish in a rebellion against the English, which is about as far as the accuracy goes. Before I say anything else, I will acknowledge that in the past the English were right fucking arseholes all right? But we weren’t the Nazis that Mel seems to portray us as. I also want to apologise to my Scottish friends Allan and Jenni in advance; none of this is a dig at Scotland. It’s about why I HATE Mel Gibson because of the way he fucks up history and whenever I talk to someone from America about Braveheart who takes the film at face value, I have to spend an hour explaining to them this film is about as accurate as my recollection of being conceived. So sorry in advance if any of this upsets you.

Let’s take this one step at a time shall we?

1) At the end of Braveheart it suggest that the Scottish won their freedom from England. NO THEY FUCKING DIDN’T. The Scottish won 3 battles of that war. Then got their arse handed to them by the English who pretty much went around and slaughtered them, getting far to close to wiping most of them out for my liking (see this is one of those “the English were fucking arseholes” bits I was on about).

2) WILLIAM WALLACE NEVER FUCKED THE FUTURE KING’S WIFE AND SHE NEVER HAD HIS KID. I dunno what the FUCK Gibson was trying to say with this part of the film, but it is 100% fuckwitted BULLSHIT with a capital SHIT. The wife of Edward, Prince of Wales, Princess Isabelle of France never met Wallace, EVER.

3) THE SCOTTISH BETRAYED WALLACE TO THE ENGLISH. Know how in the film Wallace just kind of gets captured in the middle of the war? WRONG! After the English beat the Scottish Wallace went into hiding to fight another day as it war. The man who would become known. The Scottish leaders betrayed Wallace and told the English where to find him.

4) WALLACE HAD A MUST WORSE EXECUTION. He was dragged through the streets alive, then hung, drawn and quartered. To be drawn is to have one’s intestines ripped from the body and burned a hideously painful act that extends the torture because the victims do not die immediately. Afterwards, William Wallace was quartered, a despicable act of cruelty which consists of having all one’s limbs and head cut off.

Following the public execution, Wallace’s head was stuck onto a pole, which was placed in a prominent location on London Bridge, thus giving it the greatest exposure possible. A similar fate met his arms and legs: his right arm was displayed on Newcastle bridge, his left arm went to Berwick, his right leg to Perth and his left leg to Aberdeen. Legend has it that Wallace’s left leg ended up in the wall at St. Machars Cathedral. (Again I must say that the English were complete ARSEHOLES at this point in history).

So yeah, basically all Braveheart says to me that Mel Gibson really hates the English and likes to stroke his fucking ego. Yet still release his movies over here. Wanker. And don’t even get me started on Braveheart 2, also known as “The Patriot”. So if you’re reading this Mr Gibson (seriously, the chances of that happening are like 1 in 2 Zillion) I have a message for you:

FUCK OFF AND DIE!

Thank you.

Lothar

#076 – Aww, He’s Playing

January 7th, 2005 | by Silversword

While I’d love to bring you a comic on time this week, I’m so completely knucking fackered I can’t tell where my hands are going right now.
Comic will be with you sometime saturday, after I’ve managed to get some sleep.

Edit: Aaand, here we are. One late comic. Also, I didn’t actually mean to write saturday, but I was far too sleep deprived to have noticed much at that point. Be happy.

Silversword

Heyyy everybody. Slacky McSlacker here.

December 31st, 2004 | by Virus

Yeah, I know, most comic artists do three strips a week without the need to take time off. But… Well… Hey look a distraction! *runs*

*comes back* So I’ll leave you in the capable hands of Mr Sword for this week and next. I’ll use this time to catch up on uni work, and do a comission that has been in negotiations for, ooh, four or five months now (To Silver Lynx – I’ve started! Woo!). Either that, or I’ll slack off and play videogames. *shrug*

Got my Mac Hall Cthulhu shirt today – the one Virus was wearing in last week’s strip ^__^ Yayay. Now for some more shirts. Gotta support the community. Plus they’re just cool.

Fanart – Lothar, by Spyne.

Hope everybody had (in the past tense) a good Ex-mas. And hope everybody has (in the future tense) a happy New Year.

Virus

#075 – We Interrupt Your Scheduled Comic For An Important News Announcement

December 31st, 2004 | by Silversword

Hullo, good people. I bring you a comic. Despite my scanner deciding now would be a good time to nonexist itself, and forcing me to do the whole thing via tablet, which I’ve never quite gotten the hang of.
Why do I bring you a comic? Because Virus wanted a couple of weeks off. So I’m doing some instead – possibly a foolish move, considering how much Uni work I need to get done and how wholely unpracticed I am, but I’m doing it anyway.

There’s some fanart to go up somewhere, but I don’t have it to hand, so I’ll let those who do upload it.

Silversword

Merry Fanart

December 24th, 2004 | by Virus

A second piece of fan art. Virus is looking very dashing, and James Bond-esque. By The Luck Child. Thanks, ’tis awesome ^_^

Happy Gift Day, all. I’m gonna get back to my annual holiday tradition of being ill. Xmas just wouldn’t be the same without it. *passes out under a mountain of kleenex*

Virus

#074 – Holiday: It’s In The Mail, Direct From Russia

December 24th, 2004 | by Lothar

Merry Christmas from everybody at EN. And if you don’t celebrate Christmas, enjoy whatever winter celebration you are partaking in.

One new fan art this week. “Heretics on the Night” by Jaydee, which can be found here. Thanks Jay.

Enjoy your holidays and we’ll see you next week.

Lothar

#073 – Its Infectious

December 17th, 2004 | by Lothar

I swear this was funnier when I wrote it.

My friend Alex asked me to put a link to his forum in my newspost. It’s a cool place and not full of idiots. The blokes from EN post there from time to time. So if you wanna check it out go visit The Grey Hall.

Now I have something very important to talk about today. I finally got around to playing the new Prince of Persia: Warrior Within (referred to from now on as WW ) game. I dunno if I mentioned it here but Prince of Persia: The Sands of Time (SoT) is one of the best games I have ever played, it was graphically beautiful, had a great story, fun, had challenging (yet not annoying) puzzles and was all round a brilliant game. The only small niggle was that the combat was a little boring, but the combat was never the point of the game. The point was figuring out how to dodge traps, and using your ninja-like abilities to get to the top of the room using flags poles, wall runs, switches, and whatever else you needed to do. Figuring it out had a great sense of accomplishment and DAMNIT it was just really cool to do a wall run, jump to flag pole, swing on it up to a beam, walk along the beam, jump acorss a gap, jump to a column and then swining on a rope to the end of that section.

In PoP: WW. They shit on all the good bits, stick in a stupid plot with a shitload of plotholes make it more combat focused and then stick in a crappy heavy metal soundtrack (this coming from someone who likes heavy metal). God damnit Ubisoft! Why? Oh wait, I suppose to make it appeal to a more mainstream audience. But in doing so, you’ve just pissed on all the people who enjoyed your first game and sang its praises!

Lets look at the main character, the Prince (no he never did get a proper name). In SoT the prince was likeable, quick-witted and a nice guy trying to put things right. In WW, we’ve got an arrogant prick who grunts, swears and who is concerned with nothing but saving his own arse. Now this “bad ass” character is something I might like, but it’s all to do with the context. The guy is just not likeable the way guys like Wolverine or Master Chief but it’s forced down your throat so violently you can’t help but hate him. He grunts and shouts witty phrases such as “YOU BITCH!” and sounds like someone chucked a razor down his throat. See in EN Lothars a prick and will tell you to fuck off but he’s an OK guy sometimes and someone not without his redeeming qualities. The only redeeming quality the Prince has in this game is that the story keeps saying he’s going to die.

Next the gameplay, it remains mostly unchanged from SoT and they improved on the combat very slightly so you can execute more moves. But the fact is the combat is still fucking boring but now you do it a lot more. And the new moves are rather pointless as the same 3 hit combo can defeat most enemies. The enemies are quite uninteresting and most of them just look stupid. Whether it is the female porn star ninjas, stupid dog things, or daft looking Golems. The platforming sections are still quite fun and defiantly the best part of the game, but because of the more combat orientated approach you end up fighting a lot during them. Which is slightly annoying as you can spend 5 minutes climbing, jump and swining, then fighting a crap load of enemies, dying, then having to start the entire process again. One little feature added is that you travel between the past and present of the castle. In the present it is ruined and falling apart, in the past it is new and shiny. The platforming sections save the game a little as they are still loads of fun and there is no other game series that does platforming quite like this.

The graphics in WW are improved slightly over SoT, textures are smoother, animation of the Prince is improved and when the game looks good it looks very good. However, facial animation looks worse than it did in SoT. And most of the game is black, grey or brown. This colour pattern makes the games locations look very dreary and uninteresting. Unlike the awe-inspiring locales of the first game. Plus when playing through the game some rooms you enter up to 5 times. I got sick of seeing the same fucking room even when travelling between past and present. It’s still the same damn room just in the present it’s got a big fucking hole in the floor and it’s grey instead of brown!

The music in SoT suited the Arabian/Indian setting, now in WW we’ve got a shite heavy metal soundtrack that starts at the stupidest moments and just keeps going and going and going. Why the hell are there electric guitars playing in ancient Arabia? And why are they playing when I’m walking down a corridor with nothing in it? I like heavy metal music (I’m listening to Iron Savior as I type this) but it just doesn’t suit the game at all.

The story is annoying, full of plotholes and annoying voice acting. I would go into it in detail but you can look it up anywhere and I wanna focus on the plotholes. How can the Prince control time if he hasn’t got the dagger from the first game? TRE on the forums said that it was because he had Farrah’s (the love interest from SoT) medallion. But he never got anything from Farrah at the end of the last game (save a shag) and he just buggered off. The plot hinges on the fact that the Dahaka, a guardian of the timeline, is chasing the Prince, because he opened the sands in the first game and was supposed to die. But he changed the timeline so he didn’t open the sands. The opening sequence of the game says that it doesn’t matter, he just has to die. What the hell? Did Ubisoft fire the writers of the first game? Couldn’t you come up with a half-decent explanation than “you HAVE to die”? Also, the Dahaka looks a lot like the Balrog from LOTR, except smaller, no fire and very black.

However, like I said when WW does what SoT did it’s fun and quite challenging, there is a good game in here, it’s just covered in all this crap it makes it barely playable.

So Ubisoft, if you make a third Prince of Persia game, make it more like Sands of Time and less like Warrior Within, you gits.

Lothar

Yeah, I had nothing this week either

December 10th, 2004 | by Lothar

So here’s a funny picture instead.


“After murdering his stage partner Rod Hull, Emu narrowly escapes capture by the ‘not-quite-long-enough’ arm of the law”

About 3 people will have gotten this British-in-joke. And I also realise it’s an Ostrich, not an Emu, but Rod Hull didn’t beat up Parkinson with an Ostrich puppet on live TV so I wouldn’t have been able to do that joke now would I?

Oh sod you all then.

Lothar

#072 – He’s Not Weasellin’ His Way Out Of This One

December 10th, 2004 | by Virus

Uhh, okay, apparently I’m doin the newspost today. I only found out after finishing the comic. It’s 4AM and I got nuthin.

Man, today’s strip looks really bare. I mean, it’s not like I ever do super-detailed backgrounds… But I haven’t even tried with Schaefer’s office. *checks back* Yeah, last time we had this setting, the characters were drawn bigger so it wasn’t as noticable. But damn.

…

Bugger this, that’s all the godsdamn artist commentary you get, I’m goin to bed.

EDIT: Ohhh-kaaay, I uploaded the wrong damn newspost. I thought I’d just named the file wrong, so I ‘corrected’ it. Turns out it was named wrong cuz it was the wrong one entirely. I was tired okay?

Virus

*Looks at Rogue model*

December 4th, 2004 | by Lothar

My jealously of your artistc talent makes my balls ache.

Also while were talking about smokers, I have something to say. If I wanted to kill myselft “inhaling toxic fumes and dying slowly and painfully of lung cancer in 20 years time” would be somewhere near the bottom on my list of possible ways to commit suicide.

Lothar
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